THE STRANGENESS YOU FEEL–Information and Artist Bios


A musical investigation of desire. You may hear an operetta duet, a familiar or unknown musical theater selection, an Italian popular song, or even a country and western trio.

 

Friday, June 29, 7:30 pm
Parish Hall, St. Mark’s Episcopal Church
1020 N. Brand Blvd, Glendale, CA

General admission, no tickets needed. Donations requested, $20 suggested
(Cash or check payable to St. Mark’s preferred)

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RON BARNETT is Director of Music and Sacred Arts at Saint Mark’s Episcopal Church, Glendale. In addition to his work as an organist, choir director, and keyboard artist, Ron is active as a composer. His full-length musicals as composer include: Manson’s Girls with book by Scott Guy, lyrics by Mitch Glaser, which won a “Pick of the Fringe” award and the ALNM Award for Outstanding Songwriting during the Hollywood Fringe Festival 2018; A Christmas Carol with book by Barry Kornhauser, published in 2013 by Dramatic Publishing Company, and; When Butter Churns to Gold, which premiered in 2015 at Northern Sky Theatre in Door County, WI. His choral music is published by MorningStar, GIA, and Lorenz. Ron is currently a member of New Musicals Inc. in North Hollywood. Along with lyricist Greg Edwards, he was a finalist for the 2010 and 2012 Fred Ebb Prize.

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Venezuelan-American singer BERNARDO BERMUDEZ has recently begun to essay roles and repertoire for the tenor voice. He is a long-time crossover performer with a wide repertoire of songs in English and Spanish. As a lyric baritone, his roles have included Figaro in Il barbiere di Siviglia, Stanley Kowalski in A Streetcar Named Desire, Diego Rivera in Frida, Silvio in Pagliacci, Escamillo in Carmen, Valentin in Faust, Belcore in L’elisir d’amore, the title role in Don Giovanni, Papageno in Die Zauberflöte, Count Almaviva in Le nozze di Figaro, Vidal Hernando in Luisa Fernanda, and Schaunard in La Boheme. He participated as a voice fellow in summer festivals at The Music Academy of the West, Opera North, and Opera NEO. Bernardo was a finalist in the Burbank Philharmonic Hennings-Fischer Opera Competition, an Opera Buffs Grant recipient, a semifinalist in the Loren L. Zachary National Vocal Competition, a recipient of the Doug Acker Memorial Vocal Scholarship, and a winner in the Virginia Hawk Vocal Competition. (www.bernardobermudez.com)

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The Los Angeles Times hailed soprano ARIEL PISTURINO as “an impressive young discovery” following her debut performance as Nancy T’ang in Long Beach Opera’s production of Nixon in China. An advocate of contemporary works and collaborations with composers, Ariel performed the role of the Lover in The Industry’s nationally acclaimed production of HOPSCOTCH, and created the role of Laurie in Mark Abel’s opera Home is a Harbor, released on Delos Records. She also collaborated with Abel on his song cycle Five Rilke Songs for the album Terrain of the Heart, also on Delos. Recently, Ariel created the role of Rosina Brandram in a newly written Gilbert and Sullivan review Hail Poetry with Opera a la Carte. She also premiered a new song cycle, Dewdrops, by Alex Miller.

Ariel co-founded the performance troupe Chamber Opera Players of Los Angeles (COPLA) and the summer concert series unSUNg, focusing on new and unknown vocal music. Highlights of her work with COPLA include the commission and premiere of The Last Silent Voice by George N. Gianopoulos, and performances of Ned Rorem’s Three Sisters who are not Sisters. Other credits include her performances with Long Beach Opera in Ernest Bloch’s Macbeth, the premiere of the electronic opera The Master and Margarita by Russian composer Gamma Skupinsky, and the premiere of the oratorio Circular 14: The Apotheosis of Aristides by Neely Bruce.

Ariel also performs more traditional operatic roles such as Donna Elvira (Don Giovanni), Fiordiligi (Cosi fan tutte), Micaëla (Carmen), and Second Lady (The Magic Flute). She has also been heard as the soprano soloist in the Brahms Requiem, Fauré Requiem, Mozart’s Mass in C Minor and Requiem, and Rutter Gloria. (www.arielpisturino.com)

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The American tenor GERALD SEMINATORE’s first public appearances were in musical theater roles, and as a cover band singer. He began his professional musical career with ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. After completing his formal training, he went on to operatic engagements with the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. Gerald made his European debut at England’s Aldeburgh Festival, and then went on to become a member of the solo ensemble at the Dortmund Opera in Germany. He was also a frequent guest artist at the Frankfurt am Main Opera, the Rheinland Pfalz Theater in Kaiserslautern, and the Bremen Opera. His operatic repertoire has embraced a wide range of roles in works by Handel, Mozart, Donizetti, Chausson, Janáček, Britten, Stravinsky, Strauss, and others. His concert performances have included appearances with many orchestras and choral ensembles. Gerald’s singing has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice. Recent collaborations include recital appearances with pianist Brian Moll in Boston, and with guitarist Taro Wayama in Los Angeles. Gerald is a teacher of vocal and performance techniques for college age and pre-professional singers and is currently a member of the Vocal Arts faculty at Georgia Southern University.

 

THE NOT QUITE PARIS CABARET (Los Angeles)

Our June 24 performance of “The Not Quite Paris Cabaret” in Glendale was enthusiastically received by our audience. That put some wind at our backs for our June 29 show for the Music@MiMoDa concert series in Los Angeles.

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We are nowhere near the windmills of the Moulin Rouge in Paris. However, we will sing a song about them, and also offer many other classic European and American selections during the “Not Quite Paris Cabaret.”

PRACTICAL DETAILS

Wednesday, June 29, 8:00 pm

Entry through the Paper or Plastik Cafe, 5774 W. Pico Blvd., Los Angeles.

Open seating, no presale of tickets. You set your donation amount at the door.

Cafe refreshments for purchase, you may bring them into the show with you.

The program is family friendly, but not intended for young audiences.

Scroll down to learn more about the artists.

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American born lyric baritone BERNARDO BERMUDEZ started his musical education at The Conservatory of Music Juan Manuel Olivares in Caracas, Venezuela. His many operatic credits include Figaro in Il barbiere di Siviglia, Silvio in Pagliacci,  Stanley Kowalski in A Streetcar Named Desire, Belcore in L’elisir d’amore, Papageno in Die Zauberflöte, Count Almaviva in Le nozze di Figaro, Vidal in Luisa Fernanda, Schicchi in Gianni Schicchi, and Morald in the North America stage premiere of Richard Wagner’s Die Feen, as part of Los Angeles Opera’s Ring Festival. Bernardo was a voice fellow at both The Music Academy of the West in Santa Barbara California and Opera North in New Hampshire. His singing has been recognized with awards from the the Burbank Philharmonic Hennings-Fischer Competition, the Opera Buffs, and the Zachary Vocal Competition.

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Ariel_pisturino_headshot_webSoprano ARIEL PISTURINO completed her graduate studies at the University of Southern California, where she performed with the Thornton Opera. She has appeared with the Long Beach Opera and other Southern California companies in roles from CarmenDon Giovanni, Nixon in China, and The Magic Flute. Most recently, Ariel appeared in the nationally acclaimed operatic event Hopscotch with the Los Angeles-based company The Industry, and as Donna Elvira in Don Giovanni with the Redlands Opera Theater. She was a featured soloist on the recent Delos Records releases of “Terrain of the Heart” and the opera “Home is a Harbor” by composer Mark Abel.

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Tenor GERALD SEMINATORE is the founding Director of the Spacious Vision Song Project. He began his musical career with professional ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. Operatic engagements in the USA have included roles with the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. He made his European debut at England’s Aldeburgh Festival, and went on to become a member of the solo ensemble at the Dortmund Opera in Germany. Gerald was also a frequent guest artist at the Frankfurt am Main Opera, the Rheinland/Pfalz Theater in Kaiserslautern, and the Bremen Opera. His concert performances have included appearances with many orchestras and choral ensembles. Gerald’s singing has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice.

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TARO WAYAMA is a Japanese born guitarist and composer. He was the First Prize winner in the 2003 Aron Green/American String Teachers Association Guitar Competition, and the Second Prize winner in the Thailand International Guitar Competition. As a composer, Taro received the award for “Best Original Score” at the Los Angeles Movie Awards for the independent film Anne Jennings. He is an active soloist and chamber musician, and has performed in Japan, Thailand, Canada, and the USA. Taro frequently collaborates with instrumentalists and singers in presenting Classical music from the Renaissance through 20th Century, as well as venturing into Folk and World music. Taro earned both his Masters and Bachelor of Music degrees at the University of Southern California, where he studied an array of master teachers including Pepe Romero and Scott Tennant.

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RON BARNETT is the Director of Music and Sacred Arts at St. Mark’s Episcopal Church in Glendale, CA. In addition to his work as an organist, choir director, and keyboard artist, Ron is active as a composer and music educator. His choral works have been published by GIA Publications and Morning Star Music Publishers. His score for A Christmas Carol (book by Barry Kornhauser) premiered at the Fulton Theatre (Lancaster, PA) in 2001. Since its recent commercial publication, the show has enjoyed several productions across the United States. A second show, Around the World in 80 Days (book and lyrics by Julianne Homokay) premiered at the Fulton Theatre in 2007. Ron’s new show When Butter Churns to Gold (book by Peter Welkin, lyrics by Randi Wolfe) had its 2015 premiere at the Northern Sky Theatre (Fish Creek, WI). Ron’s orchestrations include the productions of Bojangles (music by Charles Strouse, lyrics by Sammy Cahn), Yes, Virginia, There is a Santa Claus (music and lyrics by David Kirshenbaum) and Treasure Island (music and lyrics by Marc Robin and Curt Dale Clark). Sound Design credits include the Off-Broadway production of All Under Heaven starring Valerie Harper as Pearl S. Buck, and Zelda and The Last Flapper, which played in Romania and Hungary as part of the ACTIV-5 International Theatre Festival.

TEARS OF GOLD @ 51 Walden

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Critically acclaimed singers Barbara Kilduff (soprano) and Gerald Seminatore (tenor) will join their voices for two performances of “Tears of Gold,” a recital of Spanish, French, and English songs and duets. Brian Moll will partner with them at the piano.

This program offers a unique opportunity to hear world class performers in a live concert of classic songs for solo and duo voices, along with some favorites you may recognize.

Wednesday, July 27, 2016 @ 7:30 pm

Performing Arts Center
51 Walden St.
Concord, MA 01742

General admission, tickets available at the door (no advance sales).
$15 / $10 students, seniors.
www.51walden.org

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INTRODUCING THE ARTISTS

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Soprano Barbara Kilduff was a national winner of the Metropolitan Opera Council auditions, and went on to win first prize in the Munich International Competition and the Silver Medal in the Tchaikovsky Competition in Moscow. Barbara debuted with the Bavarian, Vienna and Hamburg State Operas as Zerbinetta in Ariadne auf Naxos, a role she repeated in several theaters and later at the Metropolitan Opera. In the same season she appeared as Adele in Die Fledermaus, and returned the following season as Cleopatra in Julius Caesar under Trevor Pinnock, and as Blondchen in Die Entführung aus dem Serail, a role she would repeat in Zurich and at La Scala. She appeared to great acclaim as Sophie in Der Rosenkavalier at the Bavarian State Opera, and repeated this role in New York, San Diego, and Vienna.

Other highlights of Barbara’s career include Carmina Burana with the Saint Louis Symphony under Leonard Slatkin, and appearances with the New York Philharmonic under Sir Colin Davis, and the National Symphony of Spain under Rafael Frühbeck de Burgos.

As a recitalist Barbara has appeared on many artist series in the United States, and she has also presented several master classes at universities and colleges. A native of New York, she now resides with her husband and two children in Andover, Massachusetts.

 

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New England native Gerald Seminatore began his musical career as a professional chorister in Boston’s musical scene, where he performed with ensembles including the Handel and Haydn Society, the Boston Early Music Festival Chorus, and Emmanuel Music.

American operatic appearances have included roles with the Chautauqua, Dayton, Glimmerglass,Oakland, Santa Fe, and West Bay opera companies. Gerald made his European debut at England’s Aldeburgh Fall Festival as Peter Quint in Britten’s Turn of the Screw, and went on to become a member of the solo ensemble at Germany’s Dortmund Opera, where he appeared in some twenty roles in opera and operetta. He was also a regular guest artist at the Frankfurt am Main Opera, the Pfalztheater in Kaiserslautern, and the Bremen Opera. Concert and oratorio work has included appearances with many orchestras and choral ensembles in the United States. He has appeared in more than fifty recitals in professional and university venues in the United States, England, Germany, and France.

Gerald’s performances have been praised in publications such as the London Times, Opera News, and San Francisco Classical Voice, and recognized with awards from the MacAllister Foundation for Opera Singers and the Metropolitan Opera National Council.

 

 

 

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Pianist Brian Moll maintains an active performance schedule while serving as Chair of Vocal and Keyboard Studies at the Longy School of Music of Bard College. He has given recitals around the world, appearing in such prestigious halls as Vienna’s Mozartsaal, the Haydnsaal at the Esterhazy Castle in Eisenstadt, Austria, and Tokyo’s Lilia Hall. He has also has performed as a keyboardist with Boston Baroque, Emmanuel Music, and the Handel & Haydn Society. Brian has also served as Assistant Conductor for productions by the Boston Lyric Opera, Opera North, and Boston Midsummer Opera.

Concert film: Gerald Seminatore and Taro Wayama perform songs of John Dowland

On their April 2015 concert at the Pasadena Presbyterian Church, guitarist Taro Wayama and tenor Gerald Seminatore opened the program with three “ayres” by English lutenist John Dowland (1563-1626). These songs from the twilight of the Elizabethan era are wonderfully expressive examples of the conventions of courtly love in art music.

Gerald_Taro_portrait_PPC_1Awake, sweet love
Flow my tears
Can she excuse my wrongs?

Click here to view.

(YouTube will open in a new page.)

Taro Wayama and Gerald Seminatore perform April 29 in Pasadena

On Wednesday, April 29, guitarist Taro Wayama and tenor Gerald Seminatore will be hosted by the Friends of Music at the Pasadena Presbyterian Church. The program will include selections by Benjamin Britten, John Dowland, and Franz Schubert. pasadena-presbyterian

12:10-12:45 pm
Pasadena Presbyterian Church
585 East Colorado Blvd
Pasadena, CA 91101

Free admission. Donations to the Friends of Music will be gratefully accepted.


ABOUT THE ARTISTS

210795_212480025436007_6947082_oGuitarist and composer Taro Wayama was born in Japan. He earned both the Bachelor and Master of Music degrees from the University of Southern California, where his teachers included Pepe Romero and Scott Tennant. Taro is a winner of numerous competitions, including first place in the Aron Green/American String Teachers Association Guitar Competition, and second place in the Thailand’s International Guitar Competition. As a composer, he received the award for “Best Original Score” at the Los Angeles Movie Awards for his work on the independent film “Anne Jennings.” Taro produces the classical music series for Noble House Concerts in Van Nuys, and he is an active member and performer of the Ventura Classical Guitar Society. He also performs with guitarist Thomas Foster as part of Duo Ex Ovo. The duo works with the Los Angeles Public Library and other libraries and community organizations to promote an interest in live music through concerts, lectures, and teaching activities.

gerald_seminatoreAmerican tenor Gerald Seminatore began his career with professional ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. Operatic engagements in the USA have included the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. He made his European debut at England’s Aldeburgh Festival, and went on to become a member of the solo ensemble at the Dortmund Opera in Germany. Further engagements in Europe include the Bremen Opera, the opera of Frankfurt am Main, and the Pfalztheater in Kaiserslautern. Gerald’s concert performances have included appearances as a soloist with many orchestras and choral ensembles, and he has many song recitals throughout the United States and Europe to his credit. His work has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice.

Guitarist Taro Wayama and tenor Gerald Seminatore perform for Noble House Concerts

We begin the New Year by introducing a new collaborator, guitarist Taro Wayama.

Taro is a Japanese born guitarist and composer. He is a winner of numerous competitions, such as the top prize in the 2003 Aron Green/American String Teachers Association Guitar Competition, and 2nd place in the Thailand International Guitar Competition. Taro has performed in Japan, Thailand, Canada, and the US. As a composer he received “Best Original Score” at the Los Angeles Movie Awards for an independent film, “Anne Jennings”. Taro holds Master’s and Bachelor of Music degrees from the University of Southern California, where his teachers included Pepe Romero and Scott Tennant.

Taro and tenor Gerald Seminatore will perform as part of the Noble House Concerts Classical Series. Selections will include songs by Benjamin Britten, John Dowland, and Morton Lauridsen. This concert also features Kozue Mutsumoto (koto), Jennifer Ingertila (flute), David LR (violin), and Thomas Foster (guitar), with repertoire TBA.

Saturday, January 24, 7:30 p.m. in Sherman Oaks, CA.
Suggested donation: $15 per person. Refreshments are served by the concert hosts.

To make a seating reservation and receive directions to the venue, contact Barbara Greenspan via Email at barb@noblehouseconcerts.com, or call (818) 780-5979.


Upcoming Webcasts of “Carols Rare and Bright” on Jan. 1, 3

SV_Elises_Group_PhotoThe audience response to “Carols Rare and Bright” was so enthusiastic, we have decided to air a Webcast of the program on Jan. 1 and Jan. 3.

“Carols Rare and Bright” features rarely heard solo songs and carols from composers such as Benjamin Britten, Ralph Vaughn Williams, and Joaquin Rodrigo. A highlight of the concert are performances of carols by jazz musician Alfred Burt. This music is still very much in season; after all, Twelfth Night (the last of the Twelve Days of Christmas) does not fall until Jan. 5!

Singers for these concerts are baritones Bernardo Bermudez and Anthony Moreno, sopranos Ariel Pisturino and Susan Mohini Kane, and the critically acclaimed tenor Gerald Seminatore. Pianist Kristof van Grysperre, Associate Conductor at the Long Beach Opera, presides over the program. This is an extraordinary lineup of vocal and musical talent!

New Year’s Day broadcast: Jan. 1, 2015, 7:30 pm EST (4:30 Pacific)

Re-broadcast: Jan. 3, 2015, 10:30 pm EST (7:30 Pacific)

(The program is approximately 90 minutes, with an intermission.)

The printed program may viewed or downloaded by clicking here: SV_Carols_program_abridged

To view a broadcast online, you need a reliable Internet connection. Click on the link below, and then create a Concert Window login. It’s a quick and easy thing to do. This is a “pay what you want” event; the minimum ticket price of $1 allows us to track the number of visitors and viewers. However, we suggest a donation of at least $10 so that we might recoup some of the expenses involved with producing this program. You can also leave a “Tip” at any time during the concert.

https://www.concertwindow.com/74239-spacious-vision-song-project

We hope that you will stop by this event, so that we can share some heartfelt singing with you!