THE STRANGENESS YOU FEEL–Information and Artist Bios


A musical investigation of desire. You may hear an operetta duet, a familiar or unknown musical theater selection, an Italian popular song, or even a country and western trio.

 

Friday, June 29, 7:30 pm
Parish Hall, St. Mark’s Episcopal Church
1020 N. Brand Blvd, Glendale, CA

General admission, no tickets needed. Donations requested, $20 suggested
(Cash or check payable to St. Mark’s preferred)

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RON BARNETT is Director of Music and Sacred Arts at Saint Mark’s Episcopal Church, Glendale. In addition to his work as an organist, choir director, and keyboard artist, Ron is active as a composer. His full-length musicals as composer include: Manson’s Girls with book by Scott Guy, lyrics by Mitch Glaser, which won a “Pick of the Fringe” award and the ALNM Award for Outstanding Songwriting during the Hollywood Fringe Festival 2018; A Christmas Carol with book by Barry Kornhauser, published in 2013 by Dramatic Publishing Company, and; When Butter Churns to Gold, which premiered in 2015 at Northern Sky Theatre in Door County, WI. His choral music is published by MorningStar, GIA, and Lorenz. Ron is currently a member of New Musicals Inc. in North Hollywood. Along with lyricist Greg Edwards, he was a finalist for the 2010 and 2012 Fred Ebb Prize.

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Venezuelan-American singer BERNARDO BERMUDEZ has recently begun to essay roles and repertoire for the tenor voice. He is a long-time crossover performer with a wide repertoire of songs in English and Spanish. As a lyric baritone, his roles have included Figaro in Il barbiere di Siviglia, Stanley Kowalski in A Streetcar Named Desire, Diego Rivera in Frida, Silvio in Pagliacci, Escamillo in Carmen, Valentin in Faust, Belcore in L’elisir d’amore, the title role in Don Giovanni, Papageno in Die Zauberflöte, Count Almaviva in Le nozze di Figaro, Vidal Hernando in Luisa Fernanda, and Schaunard in La Boheme. He participated as a voice fellow in summer festivals at The Music Academy of the West, Opera North, and Opera NEO. Bernardo was a finalist in the Burbank Philharmonic Hennings-Fischer Opera Competition, an Opera Buffs Grant recipient, a semifinalist in the Loren L. Zachary National Vocal Competition, a recipient of the Doug Acker Memorial Vocal Scholarship, and a winner in the Virginia Hawk Vocal Competition. (www.bernardobermudez.com)

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The Los Angeles Times hailed soprano ARIEL PISTURINO as “an impressive young discovery” following her debut performance as Nancy T’ang in Long Beach Opera’s production of Nixon in China. An advocate of contemporary works and collaborations with composers, Ariel performed the role of the Lover in The Industry’s nationally acclaimed production of HOPSCOTCH, and created the role of Laurie in Mark Abel’s opera Home is a Harbor, released on Delos Records. She also collaborated with Abel on his song cycle Five Rilke Songs for the album Terrain of the Heart, also on Delos. Recently, Ariel created the role of Rosina Brandram in a newly written Gilbert and Sullivan review Hail Poetry with Opera a la Carte. She also premiered a new song cycle, Dewdrops, by Alex Miller.

Ariel co-founded the performance troupe Chamber Opera Players of Los Angeles (COPLA) and the summer concert series unSUNg, focusing on new and unknown vocal music. Highlights of her work with COPLA include the commission and premiere of The Last Silent Voice by George N. Gianopoulos, and performances of Ned Rorem’s Three Sisters who are not Sisters. Other credits include her performances with Long Beach Opera in Ernest Bloch’s Macbeth, the premiere of the electronic opera The Master and Margarita by Russian composer Gamma Skupinsky, and the premiere of the oratorio Circular 14: The Apotheosis of Aristides by Neely Bruce.

Ariel also performs more traditional operatic roles such as Donna Elvira (Don Giovanni), Fiordiligi (Cosi fan tutte), Micaëla (Carmen), and Second Lady (The Magic Flute). She has also been heard as the soprano soloist in the Brahms Requiem, Fauré Requiem, Mozart’s Mass in C Minor and Requiem, and Rutter Gloria. (www.arielpisturino.com)

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The American tenor GERALD SEMINATORE’s first public appearances were in musical theater roles, and as a cover band singer. He began his professional musical career with ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. After completing his formal training, he went on to operatic engagements with the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. Gerald made his European debut at England’s Aldeburgh Festival, and then went on to become a member of the solo ensemble at the Dortmund Opera in Germany. He was also a frequent guest artist at the Frankfurt am Main Opera, the Rheinland Pfalz Theater in Kaiserslautern, and the Bremen Opera. His operatic repertoire has embraced a wide range of roles in works by Handel, Mozart, Donizetti, Chausson, Janáček, Britten, Stravinsky, Strauss, and others. His concert performances have included appearances with many orchestras and choral ensembles. Gerald’s singing has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice. Recent collaborations include recital appearances with pianist Brian Moll in Boston, and with guitarist Taro Wayama in Los Angeles. Gerald is a teacher of vocal and performance techniques for college age and pre-professional singers and is currently a member of the Vocal Arts faculty at Georgia Southern University.

 

Bernardo Bermudez and Ron Barnett perform “The Girl from Impanema”

Though we are currently on hiatus, we will continue to share audio and video files from our 2016 programs. For “The Not Quite Paris Cabaret,” Bernardo Bermudez and Ron Barnett performed Antonio Carlos Jobim’s classic “The Girl from Impanema,” in both Portuguese and English. (Translation in the video).

Ariel Pisturino and Ron Barnett perform “La vie en rose” (Edith Piaf)

Though we are currently on hiatus, we will continue to share selected audio and video files from our 2016 programs. From “The Not Quite Paris Cabaret” at MiMoDa in Los Angeles, here are Ariel Pisturino and Ron Barnett performing Edith Piaf’s classic “La vie en rose” (French and English). Click on the play button below to hear the live audio recording.

Barbara Kilduff and Brian Moll perform “Ich schwebe” (Richard Strauss)

From our 2016 “Tears of Gold” concert, here are soprano Barbara Kilduff and pianist Brian Moll performing “Ich schwebe” by Richard Strauss. The German text and an English translation appear below. Simply click on the play button and then follow along.

Ich schwebe wie auf Engelsschwingen,
I float as if on an angel’s wings,
Die Erde kaum berührt mein Fuß,
My foot hardly touching the ground,
In meinen Ohren hör’ ich’s klingen
I hear a lament resounding
Wie der Geliebten Scheidegruß.
As if it were my love’s farewell.

Das tönt so lieblich, mild und leise,
It resounds, so lovely, gentle and soft,
Das spricht so zage, zart und rein,
It speaks to me, so shy, so frail and pure,
Leicht lullt die nachgeklung’ne Weise
The echo of the melody softly lulling
In wonneschweren Traum mich ein.
Me into a blissful dream.

Mein Himmel lebt in meinem Busen,
My heaven lives in my breast
Der droben ist mir Hekuba,
There is my Hecuba
Im Herzen wohnen meine Musen
The muses live in my heart
Und nimmer in Olympia.
And not on Mt. Olympus.

Mein schimmernd Aug’ — indeß mich füllen
My gleaming eye, while basking
Die süßesten der Melodien, —
In the sweetest of melodies
Sieht ohne Falten, ohne Hüllen
Without any fabric’s fold, any wraps.
Mein lächelnd Lieb’ vorüberziehn.
Watches my smiling love go by.

(Karl Friedrich Henckel, 1864-1929)

Barbara Kilduff and Brian Moll perform songs of Fernando Obradors

Though it’s now 2017, we are still processing a wealth of audio files from 2016 programs. There were many strong performances last year, and we will share some of these over the next few months. From our “Tears of Gold” concert, here are two selections from Fernando Obradors collection of “Classical Spanish Songs.” The performers are soprano Barbara Kilduff and pianist Brian Moll. (Spanish texts and English translations are provided below.)

SPANISH TEXT
Dame, Amor, besos sin cuento
Asido de mis cabellos
Y mil y ciento tras ellos
Y tras ellos mil y ciento
Y después…
De muchos millares, tres!
Y porque nadie lo sienta
Desbaratemos la cuenta
Y… contemos al revés.

ENGLISH TRANSLATION
Give me, Love, kisses without number,
as the number of hairs on my head,
and give me a thousand and a hundred after that,
and a hundred and a thousand after that…
and after those…
many thousands… give me three more!
And so that no one feels bad…
Let us tear up the tally
and begin counting backwards!

SPANISH TEXT
¿Corazón, porqué pasáis
Las noches de amor despierto
Si vuestro dueño descansa
En los brazos de otro dueño?

ENGLISH TRANSLATION
My heart, why do lie awake
during nights of love,
if your master rests
in the arms of another lover?

SAKURA SONGS–Introducing the Artists

We are pleased to share information about the impressive roster of artists for SAKURA SONGS on March 13 at the Centenary United Methodist Church in Los Angeles. They are introduced here in alphabetical order.

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Marisa De Silva headshotSoprano MARISA DE SILVA is active as a performer, voice teacher, and Certified Teacher of the Alexander Technique. Marisa grew up in Japan and has been singing Japanese songs her entire life. Her rendition of “Hana wa saku” — a song dedicated to the victims of the 2011 Tōhoku earthquake and tsunami — has reached nearly half a million views on YouTube. An avid recitalist, she has given recitals in Italy, Spain, France, the USA, and Japan. Marisa has also spent several summers in Spain studying with Teresa Berganza, and performing songs from the Castilian, Latin American, and Catalan song repertoires. She is currently a student in Early Music Performance at the University of Southern California, and teaches at Loyola Marymount University in Los Angeles.
 

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Izumi_photo_croppedPianist IZUMI KASHIWAGI started playing the piano at the age of five. She attended California State University in Long Beach, where she earned a Bachelor’s degree in Piano Performance. She continued her studies with Kevin Fitz-Gerald at the USC Thornton School of Music, where she earned both the Masters and Doctoral degrees in Keyboard Collaborative Arts. Izumi has been both a student and performer at festivals such as the Aspen and the Quartet Festival in Boulder, CO. She has worked as a collaborative pianist with many singers, including at SongFest in Los Angeles in 2014. As a chamber musician, Izumi has played with several professional instrumentalists, including violinist Charles Castleman and Los Angeles Philharmonic cellist Peter Stumpf. Izumi is on the staff of the Centenary United Methodist Church, and also teaches at Vanguard University.

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Violinist David Lee Ruest was born in South Korea and grew up in New York City. After earning his Bachelor’s degree at the Peabody Conservatory of Music in Baltimore, he came to California to become a member of the Santa Barbara Symphony. He then went on to graduate study at UCLA, where he earned his Master’s degree. As an orchestral violinist, David has also performed with the Harrisburg, Annapolis, Baltimore, New West, and Long Beach Symphonies. He also plays the viola and is active as a private teacher in both instruments.
 
 

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Taso_headshot_BWTenor GERALD SEMINATORE is the director of the Spacious Vision Song Project. He began his musical career with professional ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. Operatic engagements in the USA have included roles with the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. Gerald made his European debut at England’s Aldeburgh Festival, and went on to become a member of the solo ensemble at the Dortmund Opera in Germany. He was also a frequent guest artist at the Frankfurt am Main Opera, the Rheinland/Pfalz Theater in Kaiserslautern, and the Bremen Opera. His concert performances have included appearances with many orchestras and choral ensembles. Gerald’s singing has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice. Gerald has taught at several colleges and universities in Southern California, and traveled extensively as a master class teacher in the United States and in Europe.

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Taro_portrait_cropped_webTARO WAYAMA is a Japanese born guitarist and composer. He was the First Prize winner in the 2003 Aron Green/American String Teachers Association Guitar Competition, and the Second Prize winner in the Thailand International Guitar Competition. As a composer, Taro received the award for “Best Original Score” at the Los Angeles Movie Awards for the independent film Anne Jennings. He is an active soloist and a chamber musician, and has performed in Japan, Thailand, Canada, and the USA. Taro frequently collaborates with instrumentalists and singers in presenting Classical music from the Renaissance through 20th Century, as well as venturing into Folk and World music. Taro earned both his Masters and Bachelor of Music degrees at the University of Southern California, where he studied guitar and composition with Pepe Romero, William Kannengiser, James Smith, Brian Head, and Scott Tennant.

 

SONGS FOR THE NATIVITY Program Information

TIME: Sunday, Dec. 20, 4:00 pm
VENUE: St. Mark’s Episcopal Church, 1020 N. Brand Blvd., Glendale, CA

PROGRAM: Something a little different than arrangements or covers of the same handful of classics. We will present rarely heard holiday-themed songs and arias by J.S. Bach, Benjamin Britten, Michael Head, Joaquin Rodrigo, Peter Warlock, Ralph Vaughn Williams and others, as well as Spanish villancicos, carols by Alfred Burt, and a few American standards for audience participation! The ambience of historic St. Mark’s Church provides a superb and intimate setting for this unusual program, performed by three acclaimed singers, a pianist, and a guitarist.

TICKETS: There is no pre-sale of tickets. General admission / open seating by donation. $20 is suggested, but any amount will be greatly appreciated. Cash preferred, checks accepted.

There is ample (free) street parking in front of the church, or in the lot behind the church off Dryden Ave. The church is wheelchair and walker friendly.

Scroll down to learn more about the artists. We hope to greet you personally at the concert!

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Tenor GERALD SEMINATORE is the director of the Spacious Vision Song Project. He began his musical career with professional ensembles including the Handel and Haydn Society, the Boston Early Music Festival, and Emmanuel Music. Operatic engagements in the USA have included roles with the Chautauqua, Dayton, Glimmerglass, Oakland, Santa Fe, and West Bay opera companies. He made his European debut at England’s Aldeburgh Festival, and went on to become a member of the solo ensemble at the Dortmund Opera in Germany. Gerald was also a frequent guest artist at the Frankfurt am Main Opera, the Rheinland/Pfalz Theater in Kaiserslautern, and the Bremen Opera. His concert performances have included appearances with many orchestras and choral ensembles. Gerald’s singing has been recognized with numerous awards, and praised in publications such as the London Times, Opera News, and San Francisco Classical Voice.

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Ariel_pisturino_headshot_webSoprano ARIEL PISTURINO  completed her graduate studies at the University of Southern California, where she performed with the Thornton Opera. She has since performed with the Long Beach Opera and other regional opera companies, in roles from CarmenDon Giovanni, Nixon in China, and The Magic Flute. Most recently, Ariel appeared in the nationally acclaimed operatic event Hopscotch with the Los Angeles-based company The Industry. Upcoming roles include Donna Elvira in Don Giovanni with the Redlands Opera Theater. Ariel is a co-founder of the Chamber Opera Players of Los Angeles (COPOLA), and a frequent collaborator in performances of new works. She was a featured soloist on the Delos Records release “Terrain of the Heart” by composer Mark Abel, released in 2014.

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E_Scott_Levin_headshotBass-Baritone E. SCOTT LEVIN completed graduate studies at the University of Southern California’s Thornton School of Music. He began his singing career in St. Louis, where he sang in over twenty productions with Union Avenue Opera. Since moving to Los Angeles, Scott has performed regularly with the Pacific Opera Project, and also appeared with Long Beach Opera, Opera Santa Barbara, Celestial Opera, Center Stage Opera, and the Redlands Opera Theater. This season he made his debut as the Sacristan in Tosca with the Townsend/Fresno Opera, and his Los Angeles Opera “Off-Grand” debut as Babayan (Bartolo) in Figaro 90210! Most recently, Scott had his Los Angeles Opera main stage debut as Dr. Spinelloccio in Gianni Schicchi, starring Placido Domingo and directed by Woody Allen. Scott is also the co-founder of Chamber Opera Players of LA (COPOLA).

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Taro_portrait_cropped_webTARO WAYAMA is a Japanese born guitarist and composer. He was the First Prize winner in the 2003 Aron Green/American String Teachers Association Guitar Competition, and the Second Prize winner in the Thailand International Guitar Competition. As a composer, Taro received the award for “Best Original Score” at the Los Angeles Movie Awards for the independent film Anne Jennings. He is an active soloist and a chamber musician, and has performed in Japan, Thailand, Canada, and the USA. Taro frequently collaborates with instrumentalists and singers in presenting Classical music from the Renaissance through 20th Century, as well as venturing into Folk and World music. Taro earned both his Masters and Bachelor of Music degrees at the University of Southern California, where he studied with Pepe Romero, William Kannengiser, James Smith, Brian Head, and Scott Tennant.

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RON BARNETT is the Director of Music and Sacred Arts at St. Mark’s Episcopal Church.
In addition to his work as an organist, choir director, and keyboard artist, Ron is active as a composer and music educator. His choral works have been published by GIA Publications and Morning Star Music Publishers. His score for A Christmas Carol (book by Fulton Barry Kornhauser) premiered at the Fulton Theatre (Lancaster, PA) in 2001. Since its recent commercial publication, the show has enjoyed several productions across the United States. A second show, Around the World in 80 Days (book and lyrics by Julianne Homokay) premiered at the Fulton Theatre in 2007. Ron’s new show When Butter Churns to Gold (book by Peter Welkin, lyrics by Randi Wolfe) had its 2015 premiere at the Northern Sky Theatre (Fish Creek, WI). Ron has also scored over two dozen shows for regional children’s theatre, some of which have toured nationally, been performed at the Producer’s Association of Children’s Theatre in NYC and the Kennedy Center in Washington, and been nominated for TCG awards. Ron’s orchestrations include the world premiere productions of Bojangles (music by Charles Strouse, lyrics by Sammy Cahn), Yes, Virginia, There is a Santa Claus (music and lyrics by David Kirshenbaum) and Treasure Island (music and lyrics by Marc Robin and Curt Dale Clark). Sound Design credits include the Off-Broadway production of All Under Heaven starring Valerie Harper as Pearl S. Buck, and Zelda and The Last Flapper, which has played in Romania and Hungary as part of an ACTIV-5 international theatre festival.